Philomel Records

[About the Author]

Diana Deutsch

Diana Deutsch is Professor of Psychology at the University of California, San Diego, and conducts  research on perception and memory for sounds, particularly music. She has discovered a number of musical illusions and paradoxes, which include the octave illusion, the scale illusion, the glissando illusion, the tritone paradox, and the cambiata illusion , among others. She also explores ways in which we hold musical information in memory,  and  in which we relate the sounds of music and speech to each other. Much of her current  research  focuses on the question of absolute pitch - why some people  possess it, and why  it is so rare.

Deutsch obtained a First Class Honors B.A. in Psychology, Philosophy and Physiology from Oxford University, and a Ph.D. in Psychology  from the University of California, San Diego. She has over 150 written publications, including  books, book chapters, and articles. She is Editor of the book The Psychology of Music, Academic Press, 1982, 2nd Edition 1999, (see review), and author of the compact  discs Musical Illusions  and Paradoxes (1995) and Phantom Words and Other Curiosities (2003) see review of both CDs.

Deutsch has been elected a Fellow of the American Association for the Advancement of Science, the Acoustical Society of America, the Audio Engineering Society, the Society of Experimental Psychologists, the American Psychological Society, and the American Psychological Association.  She has served as Governor of the Audio Engineering Society, as Chair of the Section on Psychology of the American Association for the Advancement of Science, as President of Division 10 of the American Psychological  Association  (Society for the Psychology of Aesthetics, Creativity and the Arts), and as Chair of the Society of Experimental Psychologists. She is Founding Editor of the journal Music Perception,  and  served  as Founding President of the Society for Music Perception and CognitionShe was awarded the Rudolf Arnheim Award for Outstanding Achievement in Psychology and the Arts by the American Psychological Association in 2004, and the Gustav Theodor Fechner Award for Outstanding Contributions to Empirical Aesthetics by the International Association of Empirical Aesthetics in 2008.

For more information, including a list of publications including posted PDF files, visit Diana Deutsch's web page in the UCSD Psychology Department.

Some media descriptions of research by Deutsch and colleagues:

'Escher for the Ear' - Philip Yam, Scientific American, March, 1996

'Mothers and their children hear a musical illusion in strikingly similar ways' - media release, Acoustical Society of America, 1996

'Musical Illusions and Paradoxes' - Robyn Williams, The Science Show, Australian Broadcasting Corporation, 1997

'You must be hearing things' - Bob McDonald, Quirks and Quarks, Canadian Broadcasting Corporation, 1997 (PDF)

'Do you hear what I hear?' - Steven Hunt, Discovery Channel, Canada, March, 1997 (PDF)

'Tone Language Speakers Possess Absolute Pitch' - Diana Deutsch, Trevor Henthorn, and Mark Dolson, Media Release, Acoustical Society of America, 1999

'Speaking in Tones' - Alan Hall, Scientific American, November, 1999

'UCSD prof makes a hard pitch for perfect pitch' - David Graham, San Diego Union Tribune, December, 1999 (PDF)

‘Striking the right Note’ - Kathryn Brown, The New Scientist, December, 1999

'Study links perfect pitch to tonal language’ - James Glanz, New York Times (front page), November, 1999

'Auditory Illusion Shaped by First Language' - Charles Seife, ScienceNow, American Association for the Advancement of Science, December, 2000

'The Biology of Perfect Pitch: Name That Tone' - Michael Abrams, Discover, December, 2001

'A paradox of musical pitch' - Deborah Smith, Monitor on Psychology, American Psychological Association, 2001

The Science Behind the Song Stuck in Your Head - Roy Rivenburg, Los Angeles Times, October, 2001 (PDF)

'Potential for Acquiring Absolute Pitch Based on Time and Genetics' - Brian Weaver, American Psychological Society, December, 2002

'Das absolute Gehör ist gewöhnlicher als gedacht' - Ulrich Dewald, Wissenschaft.de, April, 2003

'Can't get it out of my head' - Carl Zimmer, The Sunday Telegraph Magazine, February, 2004 (PDF)

'Perfect Pitch in Tone Language Speakers Carries Over to Music' - Diana Deutsch, Trevor Henthorn, Elizabeth Marvin, and HongShuai Xu, Media Release, Acoustical Society of America, November, 2004

'Tone language translates to perfect pitch' - Inga Kiderra, Science Daily, November, 2004

'Speaking Tonal Languages Promotes Perfect Pitch' - Don Monroe, Scientific American, November, 2004

'Psychologists Pobe Perfect Pitch' - Nadja Geipert, ScienceNow, American Association for the Advancement of Science, November, 2004 (PDF)

'Study: Language Determines Music Skills' - Jennifer Viegas, Discovery Channel, November, 2004

'Tonsprachen und absolutes Gehor gehoren zusammen.' - Yahoo! Nachrichten, November, 2004 (PDF)

'Mandarin Chinese speaks volumes in giving the young an ear for music' - Ian Sample and Faisal al Yafai, The Guardian, November, 2004

'Wieso haben so vielo Chinesen das absolute Gehör?' - Katherina Kramer, NZZ am Sontag, November, 2004

'Absolutt gehør ved hjelp av språk?' - Harald Aastorp, Forskning.no, November, 2004

'L'oreille absolue : plus facile pour les Chinois' - Isabelle Masingue, Quebec Science, November, 2004 (PDF)

'Absolutes Gehor: Sprache schult das Ohr' - Spiegel Online, November, 2004 (PDF)

'Chinesen sind die besseren Musiker' - Katharina Kramer, Die Welt, December, 2004

'Warum Mandarin das absolute Gehör begünstigt' - Eva Hörschgen, Wissenschaft.de, November, 2004

'The World Today' - Interview with BBC World Service, November, 2004

'Science in Action' - Interview with Molly Bentley, BBC World Service, December, 2004

Ernest Ruiz and Fernando Cabedo Bosquet - Mundo hi-fi, December, 2004

Abszolút hallás tonális nyelvekkel - MTV Online, November, 2004

Musical Mandarins - 21st Century Online, December, 2004 (PDF)

'Oreille absolue : avantage aux Chinois' - Pour La Science, January, 2005 (PDF)

'Perfect pitch' - National Geographic, March, 2005

'Perfect pitch' - Sadie F. Dingfelder, APA Monitor on Psychology, February, 2005

'L'oreille absolue des asiatiques' - Bruno Rougier, Radio France, January, 2005 (PDF)

' Perfect Pitch' - Dean Edell, ABC7 KGO-TV/DT, February, 2005 (PDF)

'Perfect pitch' - Fran Kelly, ABC Radio National, January, 2005

'Prelude to Perfect Pitch' - Kate McCartin, Trenton Times, May, 2006 (PDF)

'Music on the Mind' - Scott Fields, APS Observer, April, 2006

‘Your Brain on Music’ - David Ranada, Sound & Vision Magazine, May, 2006

'Do My Ears Deceive Me' - Interview with Chris Maslanka, BBC Radio 3, April, 2006

'Musical Language' - Interview with Jad Abumrad, New York Public Radio, April, 2006

Speaking in Tones. Ni hao or bonjour: do genes drive preference for language type? - Choi, Charles Q., Scientific American, September, 2007 (PDF)

Through to the next round - Marcus Low, Health24, 2007 (PDF)

'Musical Illusions' - Julie J. Rehmeyer, Science News, June, 2007

'Psychologists Create Surprising Musical Illusion' - Adriana Salerno, Voice of America, August, 2007

'Is Perfect Pitch All in the Genes?' - Ed Edelson, HealthDay News, August, 2007 (PDF)

'¿Se encuentra el oído absoluto en los genes?' - Ed Edelson trans Dr. Tango, Yahoo Salud, August, 2007

Musical Language (Radio Lab), Podcast - WNYC's Radio Lab, 2007

¿Cómo percibimos la música? LOS LECTORES PREGUNTAN A EDUARDO PUNSET - Eduardo Punset, 2007

'A perfect pitch match.' - Excerpted from, Oliver Sacks' book: Musicophilia: Tales of Music and the Brain. Columbia Magazine, 2007

Wie uns das Ohr ubers Ohr haut - Interview with Frank von Groteluschen, German Public Radio, October, 2008

Wiederholungen machen Sprachmelodie horbar’ - Scienceticker.info, November, 2008

Our Brains Need Inhibitors to Perceive Speech - Softpedia, November, 2008

Brain sees fine line between speech and song - New Scientist, November, 2008

The Speech-to-Song Illusion - Diana Deutsch, Rachael Lapidis, and Trevor Henthorn, Media Release, Acoustical Society of America, November, 2008

What the bloggers are saying:

‘Sometimes behaves so strangely’ - Crooked Timber, 2006

‘Music and language’ - Discover - Cosmic Variance, 2006

‘Sometimes behave so strangely’ - Auditory Archives, December week 2, 2006

‘Top 10 Incredible Sound Illusions’ - The List Universe, February, 2008

‘Put your headphones on’ - MetaFilter, February, 2008

Speaking becomes Singing - VAI.COM, November, 2008 (PDF)

[Quotes]

'"Musical Illusions and Paradoxes" will let you experience some striking sonic chicanery.' - Shawn Carlson, Scientific American, The Amateur Scientist, December, 1996 (PDF)

'A fascinating compact disc . Musical Illusions and Paradoxes is both entertaining and disconcerting. I was amazed by my own misperceptions and . left somewhat disturbed wondering if throughout my life I have been hearing what Verdi and Britten intended' - Patrick Bell, Sound and Video Contractor, March, 1996

'Ready for a science experiment on the stereo? Musical Illusions and Paradoxes . an audio CD created by psychologist Diana Deutsch at the University of California at San Diego, proves that illusions aren't just for the visual realm . They are great for amazing your friends' - Discover, December, 1998

'A fascinating new exploration into how we can be fooled - Scot Morris, Science Writer, Omni Magazine

'The illusions range from the beguilingly simple to, as she says, "true weirdness, the twilight zone."' - Peter Monaghan, 'In the Twilight Zone of Sound', Notes from Academe, Chronicle of Higher Education, November, 2003 (PDF)

'you'll know just how tenuous the connection is between speech and song' (listen to entire show online) - Jad Abumrad, WNYC Radio, November, 2003

'I could scarcely believe my ears.' - Eugene Pitts, The Audiophile Voice, Vol 10, 2004, 1

'It's like a magic show' - Psychology Today, Psychology Today, February, 2004

'One of the weirdest experiences one can have. Don't miss it.' - Skeptics Society

'Of course being audiophiles, we love to experiment - with nearly everything. And here's just the ticket: a foray into the perception and memory for sound, with extensive examples, albums, and a decidely scientific and professional bent that should enchant you for some time' - Barry Ober, Boston Audio Society, November, 2005

What Are Musical Paradox and Illusion? - Ben Carson, Spring, 2007 (PDF)

'These two CDs . are absolutely mind-boggling. Diana is, in effect, hosting a magical mystery tour of your own brain, and believe me, it's quite a ride.' - Ian Rowland, Mentalist Magician, Entertainer, and Skeptic

'An amazing collection of auditory illusions very reasonably priced. Well worth buying for school resources, if not home use. Also has a very useful explanatory booklet.' - The National Science and Technology Centre, Canberra, Australia.

'On the musical illusions CD you’ll find the octave illusion and the tritone paradox, both of which are discussed in the textbook. On the Phantom Words CD you’ll find additional clever demonstrations, including phantom words and “music” emerging from repetitive speech.' - Matlin & Foley, Sensation and Perception

'each demonstration provides the amateur scientist with the materials to conduct research on how the brain processes sound.' - The Society for Amateur Scientists

'A wonderful source of audio examples to explore and experiment with.' - CafeMuse


What's on the Musical Illusions and Paradoxes | What's on Phantom Words and Other Curiosities
Quotes about the CDs | How to Order | About the Author | Related Sites